It happens in movies, television shows, and in comic books: Superheroes have a huge fight and their precious uniforms emerge as torn up as the heroes wearing them. Marvel ended up paying Scheuller $220 for the basic idea, and one year later Spidey appeared in a black costume.īut according to artist John Byrne, the fledgling idea that would eventually become Venom began much earlier, as a solution to a simple problem concerning superhero costumes. In 1982, Marvel asked readers to send in ideas for its comics, and a fan named Randy Schueller wanted to give Spider-Man a new black costume made of unstable molecules. Given Venom’s current status as one of Spider-Man’s most iconic foes, the character’s origin story is, fittingly, a hilarious combination of chance and pragmatism. Venom was a solution to a very common superhero conundrum It’s also an opportunity to get to know the beloved symbiote and its host, Eddie Brock (played by Tom Hardy), on their own terms and not defined by Peter Parker.įrom his beginnings as an editorial solution to the puzzling logistics of superhero uniform maintenance, to his weird alien and vampiric associations, to what he says about the future of Sony’s Spider-Man universe, Venom as a character represents a lot more than just the opposite of his most famous adversary. It’s fans’ first opportunity to see the iconic character come to life since his ignominious debut in 2007’s Spider-Man 3, and it presents a chance for Sony to perhaps absolve itself of some of the grievances leveled at that film. Venom is hitting theaters this weekend without Parker, who was last seen getting dusted away, along with half of humanity, by Thanos in Avengers: Infinity War. But if there’s any Spider-Man villain that can stand alone, it’s Venom, the squid-ink-colored inverse of Peter Parker. It’s hard for a supervillain to shine when their greatest enemy, the superhero who defines them and vice-versa, has been recently vaporized by an Infinity Gauntlet-wearing mad titan.
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